He, like everyone else except Harry, picked Boneyard Shuffle as the best number. Recorded by Bunny Berigan and His Orchestra for ... “Swanee River” (1935) Jimmie Lunceford and Sy Oliver, and (1940) Tommy Dorsey and Sy Oliver, Happy Days Are Here Again (1962) Barbra Streisand, Nina Never Knew (1952) Sauter-Finegan Orchestra with Joe Mooney; and (1968) Frankie Carle with Georgie Auld and Dick Nash, St. James Infirmary (1941) Artie Shaw with Hot Lips Page, Green Goon Jive (1941) Jan Savitt/Billy Moore, 'T'Aint So Honey, 'T'Aint So (1938) Bunny Berigan - with Georgie Auld, Joe Dixon and Buddy Rich, “Happy Days Are Here Again” (1962) Barbra Streisand, “Nina Never Knew” (1952) Sauter-Finegan Orchestra with Joe Mooney; and (1968) Frankie Carle with Georgie Auld and Dick Nash, “St. Like “I had three chairs in my house; one for solitude, two for friendship, three for society.” ― Henry David Thoreau, Walden. I wouldn’t be surprised though if Shaw worked with Hayton to write the arrangement of “Stardust.” As it was customary for Shaw to do that sort of thing with Jerry Gray.” This recording was digitally remastered by Mike Zirpolo. Well-considered comments like the ones that have been made in this discussion help all of us to get closer to the truth about matters that are important to those of us who enjoy great music from the swing era. I had no idea if it would work out for me in Bowie’s band. A fundamental truth that I’ve always held is that you have to be able to handle winning or losing with the same attitude. Woody Woodmansey played with Ziggy Stardust, and was dropped when Bowie ditched the persona. Suddenly I opened my eyes wide, and I knew that was the truth. I couldn’t do it. (At left: Artie Shaw in 1940.). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by the American classical music composer and teacher Katherine Kennicott Davis in 1941. Why then would Lennie Hayton have written whatever he wrote on the 1940 Shaw arrangement of “Star Dust”? Search in pages. My friends wouldn’t even know who Bowie was if I asked them about him. Fred Fox School of Music Howard Hoagland "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American composer, pianist, singer, actor, and bandleader. I needed him to be a good songwriter. But perhaps they discussed the general outline of what Shaw wanted to do in his solo, and Hayton notated that in some fashion so that Artie would have a roadmap of sorts of where to go with his improvisation. Johnny St. Cyr, Ory’s musical associate from the Hot Five and Red Hot Peppers, played guitar. I can’t. (This does not of course apply to his playing of “classical” music.). No one had ever done it, and there was no reason why anyone ever would. Each time he returned, he made fine music. 272 likes. It felt as if only he could have written them. Beautifully written, thoughtful piece! I don’t know whether this true, but I thought I would pass it on for discussion purposes. The sound he got on trumpet was big, yet velvety, and he had a great high register, plenty of power and tons of technique. Hayton facilitated that by writing to Shaw’s specifications. This site uses Akismet to reduce spam. I didn’t particularly like his music, and I didn’t know if he had talent. So I can think of no better tribute than an excerpt from Ken’s fascinating memoir Abbey Road To Ziggy Stardust ... As well as any colleague could, I suppose. But as I said, it is on the back side of the ink part that AS scribbled down his clarinet solo from the record (that he made four years earlier) in pencil. Just my opinion, but I’d bet money on it. Regardless of whether Artie’s solo was fully improvised, IMHO his 1940 “Star Dust” is still the greatest “pop” record ever made! He had a completely different approach: he’d express emotions in his vocals but just enough to put his point across to you, which I understood immediately. Drumeo invited Styx drummer Todd Sucherman to play his band’s 2017 song “Gone Gone Gone” and well, let’s just say it’s on a pretty unique location. I have contacted Keith Pawlak at the Univeristy of Arizona Artie Shaw archive and asked him to explain what is on the “Star Dust” arrangement we have been discussing. Only reason your not the star dust of history. These often have their genesis in pronouncements Shaw himself made as early as the late 1930s (and for decades thereafter), when journalists were insatiably curious about this handsome young (and later not so young) man, who was articulate and intelligent, and could play the clarinet and lead his swing band so brilliantly. Click the full post to read liner notes, links to more information, and a transcript of the episode. Showing the band at the beginning with Drummer John Rutsey, and through the whole time with "The New Guy", The Professor Neil Peart on Drums. The de facto leader and music director of the Crosby crew was dance band veteran Gil Rodin. Bowie was Rainbowman, Tony Visconti was Hypeman, Mick was Gangsterman and John Cambridge was Cowboyman. I was being totally uprooted from my home town to a completely new environment. That story was true for me, and it took me on a journey that I enjoyed. Mary Lou Williams. A mixture of polyphonic and homophonic textures. ), By the time the Shaw band opened at the Cafe’ Rouge (on October 19), Artie discovered that the hot water he had jumped out of just before he took his vacation had gotten hotter while he was away. I knew he was taking the piss, so I said nothing. The trumpet section in this recording of "Conga Brava" makes prominent use of. On the other, when exploring Shaw’s music, one usually encounters a good many myths and distortions surrounding the man, and sometimes his music. Search in pages . My problem was that I’d been offered a great job that could potentially set me up for life, and that kind of offer didn’t come along very often to twenty-year-olds in my part of the world. "The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by the American classical music composer and teacher Katherine Kennicott Davis in 1941. Shaw’s blueprint included a soaring open trumpet solo that he wrote out for Billy Butterfield to start the piece, and then space for him to play a rhapsodic, improvised clarinet solo, and lastly, an eight-bar spot for trombone virtuoso Jack Jenney to improvise. But Butterfield’s trumpet playing inspired Shaw to create something new: a dramatic setting for three virtuoso solos. Trombonist Jack Jenney (1910-1945) was well-known within the music business as a virtuoso performer who had uncommon skill as an improviser on ballads. The solos Shaw played on those performances are different from one another, indicating to me that he improvised them. He said it was a bit folky and that Bowie was a good frontman, but that was about it. (See below.) Sorry, your blog cannot share posts by email. He now had no choice but to form his own standing band, which he did in late June. Goodman’s chronic sciatica had by the summer of 1940 become so painful that he was advised to have surgery to alleviate some of the discomfort. I am printing it verbatim: “Hayton wrote out a foundation for the solo, which is of course based on the melody. I have gone back to the Shaw aircheck recordings of “Star Dust” from December 6 and 23 of 1938. The following music excerpt features: 18:46. The (for the time) extraordinary octave leap to high F was admired far and wide by musicians and sophisticated audiences, not only for the ease with which Jenney’s managed the deed, but for his elegance and sensitivity of phrasing. Stefan (5939 words) by Britt DiGiacomo . When they arrived in New York, they stayed at a luxurious hotel, and spent the evenings dining in Manhattan’s best restaurants, sometimes taking in a Broadway show, then making the rounds of the dozens of venues in New York that then presented live music.Lana loved swing and jazz, and courtesy of the M-G-M dancing school, she was an excellent dancer. Tucson, AZ 85721. It was recorded in 1955 by the Trapp Family Singers  and further popularized by a 1958 recording by the Harry Simeone Chorale. His first album, David Bowie, had been released in 1967 and included whimsical songs like “The Laughing Gnome” and “Love You Till Tuesday.” It hadn’t worked and neither had the second album – also called David Bowie, bizarrely – which came out in autumn 1969. Increasingly, his time was also spent in discussions with his personal manager, his booking agency, his band manager, advertising executives, network radio executives, publicists, venue owners, music publishers and, alas, the media. The media loved it. The music: In late March of 1940, Artie Shaw and his new bride, Lana Turner, took a honeymoon of sorts. Like Artie was now so stressed that he was having constant headaches. Shaw had a good arrangement in his 1939 band library on “Star Dust.” Basically, it was a straightforward dance chart that showcased his solo clarinet. They constantly besieged him, seeking quotes, interviews, pictures, feature stories. Not that I’d listened to it. I was used to blues wailing from heavy rock singers – Robert Plant, Paul Rogers and so on – but Bowie didn’t have that kind of voice at all. In yet another ill-advised interview, this one with Dave Dexter of the music tabloid (later magazine) Down Beat that was published on October 15, he stated that he: “hated the music business,” and was going to leave it “…just as soon as I’m fixed for life financially, and that time isn’t far off.”. His pianist Tony Brown and his clavist Bobby Ogdin. He also had to be the musical director of his band. Talkin Broadway E-blast Periodic e-blasts for giveaways, discount notices and show announcements. Born in Driffield, Yorkshire, in 1951, he is the last surviving member of The Spiders from Mars. He continues to play with his band Holy Holy and lives in London. That being said, I understand that not everyone can be as humble as I am. Chico was the drummer and Chet was the trumpeter. All I can say is GREAT. So it was rather unusual for Hayton to give some “guidance” to Shaw on his part – even if Shaw only loosely followed what was written. In October 1927, Carmichael recruited Indianapolis band leader Emil Seidel, and seven members of his band, and drove through the night across Indiana to the Richmond piano factory to debut "Star Dust" on record. “Have you heard my albums?”. Recorded by the Sauter-Finegan Orchestra for ... "St. James Infirmary"
Composed by Joe Primrose; arranger unknown (*)
Recorded by Artie Shaw and His Orchestra for Victor on November 12, ... "Green Goon Jive"
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